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HT2032 - A Photograph Is a Printed Object |
I recently was talking with a photographer who stated authoritatively that there wasn't a photograph until there was a print. That certainly was true in my youth, but I'm not so sure any more. This is why I try to clarify my language by differentiating between a photograph and an image. |
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HT2033 - A Most Creative Question |
A friend gifted to me 500 sheets of 4x6" glossy inject paper. Every day when I walk into my office, I see that stack of paper and wonder what I might do with it. Voilá, a new project is born. |
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HT2034 - An Audience of One |
In a conversation the other day, a photographer was making a case for large prints on the wall because they could be viewed simultaneously by a group of people. Viewing such artwork, he emphasized, becomes a social activity. Maybe that's another reason why I tend not to make prints for the wall. |
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4
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HT2035 - Subjects That Are Everywhere |
In this month's LensWork Bonus Edition we are featuring a project by Kevin Raber that consists of images of rust. In some ways, this reminded me of a project we published from Larry Blackwood about crows (LensWork #93). What these two projects have in common is that their subjects are common. Both Raber and Blackwood could photograph anywhere, on any day, out their front door or as they travelled around the world. Brilliant. |
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HT2036 - Photography As an Unhealthy Postponement |
One of the worst aspects of photography is that it can seduce us into postponing deep seeing. When we click the shutter, we can stop looking because we can see it later in the photograph. Said another way, photography can be a way of shutting off our engagement with the world. |
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